Questões de Inglês

The Psychological Comforts of Storytelling

Why, throughout human history, have people been so drawn to fiction?

By Cody C. Delistraty

    The oldest story in the world is “The Epic of Gilgamesh”, and it has all the trappings of a modern story: a protagonist who goes on an arduous journey, a romance with a seductive woman, a redemptive arc, and a full cast of supporting characters. Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories, which can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving.

    In a 1944 study conducted at Smith College, 34 students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

    But why start telling stories in the first place? One theory is that storytelling could be an evolutionary mechanism that helped keep our ancestors alive. The theory is that if I tell you a story about how to survive, you’ll be more likely to actually survive than if I just give you facts. For instance, if I were to say, “There’s an animal near that tree, so don’t go over there,” it would not be as effective as if I were to tell you, “My cousin was eaten by a malicious, scary creature that lurks around that tree, so don’t go over there.” A narrative works off of both data and emotions, which is significantly more effective in engaging a listener than data alone.

    The value humans place on narrative is made clear in the high esteem given to storytellers. Authors, actors, directors—people who spin narratives for a living are some of the most famous people in the world. Stories are a form of escapism, but there seems to be something more at play. Perhaps the real reason that we tell stories again and again—and endlessly praise our greatest storytellers—is because humans want to be a part of a shared history.

Adapted from: https://www.theatlantic.com/health/archive/2014/11/thepsychological-comforts-of-storytelling/381964/. Access in: 17 June 2022.

The Psychological Comforts of Storytelling

Why, throughout human history, have people been so drawn to fiction?

By Cody C. Delistraty

    The oldest story in the world is “The Epic of Gilgamesh”, and it has all the trappings of a modern story: a protagonist who goes on an arduous journey, a romance with a seductive woman, a redemptive arc, and a full cast of supporting characters. Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories, which can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving.

    In a 1944 study conducted at Smith College, 34 students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

    But why start telling stories in the first place? One theory is that storytelling could be an evolutionary mechanism that helped keep our ancestors alive. The theory is that if I tell you a story about how to survive, you’ll be more likely to actually survive than if I just give you facts. For instance, if I were to say, “There’s an animal near that tree, so don’t go over there,” it would not be as effective as if I were to tell you, “My cousin was eaten by a malicious, scary creature that lurks around that tree, so don’t go over there.” A narrative works off of both data and emotions, which is significantly more effective in engaging a listener than data alone.

    The value humans place on narrative is made clear in the high esteem given to storytellers. Authors, actors, directors—people who spin narratives for a living are some of the most famous people in the world. Stories are a form of escapism, but there seems to be something more at play. Perhaps the real reason that we tell stories again and again—and endlessly praise our greatest storytellers—is because humans want to be a part of a shared history.

Adapted from: https://www.theatlantic.com/health/archive/2014/11/thepsychological-comforts-of-storytelling/381964/. Access in: 17 June 2022.

The Psychological Comforts of Storytelling

Why, throughout human history, have people been so drawn to fiction?

By Cody C. Delistraty

    The oldest story in the world is “The Epic of Gilgamesh”, and it has all the trappings of a modern story: a protagonist who goes on an arduous journey, a romance with a seductive woman, a redemptive arc, and a full cast of supporting characters. Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories, which can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving.

    In a 1944 study conducted at Smith College, 34 students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

    But why start telling stories in the first place? One theory is that storytelling could be an evolutionary mechanism that helped keep our ancestors alive. The theory is that if I tell you a story about how to survive, you’ll be more likely to actually survive than if I just give you facts. For instance, if I were to say, “There’s an animal near that tree, so don’t go over there,” it would not be as effective as if I were to tell you, “My cousin was eaten by a malicious, scary creature that lurks around that tree, so don’t go over there.” A narrative works off of both data and emotions, which is significantly more effective in engaging a listener than data alone.

    The value humans place on narrative is made clear in the high esteem given to storytellers. Authors, actors, directors—people who spin narratives for a living are some of the most famous people in the world. Stories are a form of escapism, but there seems to be something more at play. Perhaps the real reason that we tell stories again and again—and endlessly praise our greatest storytellers—is because humans want to be a part of a shared history.

Adapted from: https://www.theatlantic.com/health/archive/2014/11/thepsychological-comforts-of-storytelling/381964/. Access in: 17 June 2022.

The Psychological Comforts of Storytelling

Why, throughout human history, have people been so drawn to fiction?

By Cody C. Delistraty

    The oldest story in the world is “The Epic of Gilgamesh”, and it has all the trappings of a modern story: a protagonist who goes on an arduous journey, a romance with a seductive woman, a redemptive arc, and a full cast of supporting characters. Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories, which can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving.

    In a 1944 study conducted at Smith College, 34 students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

    But why start telling stories in the first place? One theory is that storytelling could be an evolutionary mechanism that helped keep our ancestors alive. The theory is that if I tell you a story about how to survive, you’ll be more likely to actually survive than if I just give you facts. For instance, if I were to say, “There’s an animal near that tree, so don’t go over there,” it would not be as effective as if I were to tell you, “My cousin was eaten by a malicious, scary creature that lurks around that tree, so don’t go over there.” A narrative works off of both data and emotions, which is significantly more effective in engaging a listener than data alone.

    The value humans place on narrative is made clear in the high esteem given to storytellers. Authors, actors, directors—people who spin narratives for a living are some of the most famous people in the world. Stories are a form of escapism, but there seems to be something more at play. Perhaps the real reason that we tell stories again and again—and endlessly praise our greatest storytellers—is because humans want to be a part of a shared history.

Adapted from: https://www.theatlantic.com/health/archive/2014/11/thepsychological-comforts-of-storytelling/381964/. Access in: 17 June 2022.

Radioactive Review

Director Marjane Satrapi has made a stuffy and patronising drama that does a great disservice to its undeniably fascinating subject

As of late, it appears that large sectors of the entertainment industry have joined in a nobly intended yet poorly executed project to promote an increased female presence in Stem fields. Call it the Hidden Figures effect if you like, but an increasing number of releases have featured girls and women exploring science and technology. While the real world would be undeniably bettered by gender parity in laboratories and other workplaces, this small movement has made for some frightfully bad art. The messaging errs without exception on the side of the heavy-handed, and characterization often suffers from an imperative to shape a human being into an exemplar of model behavior. When combined, entertainment and moral instruction can have disastrously unstable reactions.

https://tinyurl.com/rysbdux%20Acesso%20em:%2020.04.2022.%20Adaptado.

Glossário:
stuffy: chata
patronizing: paternalista
Hidden Figures (filme): Estrelas Além do Tempo

Radioactive Review

Director Marjane Satrapi has made a stuffy and patronising drama that does a great disservice to its undeniably fascinating subject

As of late, it appears that large sectors of the entertainment industry have joined in a nobly intended yet poorly executed project to promote an increased female presence in Stem fields. Call it the Hidden Figures effect if you like, but an increasing number of releases have featured girls and women exploring science and technology. While the real world would be undeniably bettered by gender parity in laboratories and other workplaces, this small movement has made for some frightfully bad art. The messaging errs without exception on the side of the heavy-handed, and characterization often suffers from an imperative to shape a human being into an exemplar of model behavior. When combined, entertainment and moral instruction can have disastrously unstable reactions.

https://tinyurl.com/rysbdux%20Acesso%20em:%2020.04.2022.%20Adaptado.

Glossário:
stuffy: chata
patronizing: paternalista
Hidden Figures (filme): Estrelas Além do Tempo