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Questão 19 109771
Médio 00:00

UERJ 2015/2
  • Inglês
  • Sugira
  • Reading/Writing
  • Editorial article
  • Exibir tags
Resolução comentada

The Genre of Autobiography and Autofiction

 

[1] Derived from three Greek words meaning “self”, “life” and “write”, autobiography is a

style of writing that has been around nearly as long as history has been recorded. Yet,

autobiography was not classified as a genre within itself until the late eighteenth century.

In his book, Inside out, E. Stuart Bates offers a functional definition of autobiography as “a

[5] narrative of the past of a person by the person concerned”. That definition, however, is too

broad for some literary critics. Many, such as Philippe Lejeune, wish to define the genre more

narrowly: “(a) retrospective prose narrative produced by a real person concerning his own

existence, focusing on his individual life, in particular on the development of his personality”.

Despite disagreements concerning how inclusive the category of autobiography should

[10] be, there are characteristics that are common to the majority of autobiographical works.

These features are the grammatical perspective of the work, the identity of the self, selfreflection

and introspection.

Most autobiographies are written from the first person singular perspective. The author, the

narrator and the protagonist must share a common identity for the work to be considered

[15] an autobiography. This common identity could be similar, but is not identical. The self that

the author constructs becomes a character within the story that may not be a completely

factual representation of the author’s actual past self.

In their book The voice within, Roger Porter and H. R. Wolf state that “truth is a highly

subjective matter, and no autobiographer can represent exactly what happened back then,

[20] any more than a historian can definitively describe the real truth of the past”.

Because the author cannot describe events objectively, even the most accurate

autobiographies have fictional elements. The blurring of fiction and truth characteristic

of autobiography has even led to the creation of a subdivision within the genre of

autobiography that deals with fictionalized self-accounts. For this style of writing that

[25] blends characteristics of both fiction and autobiography, Serge Doubrovsky coined the

literary term “autofiction”.

The difference between traditional autobiography and the genre of autofiction is that

autobiographers are attempting to depict their real life, while writers of autofiction are

only basing their work upon real experiences. Writers of autofiction are not expected to be

[30] as historically accurate as possible as autobiographers are. According to Alex Hughes,

authors of autofiction are saying “this is me and this is not me”. This sums up autofiction.

Autofiction draws from the life of the writer with the addition of fictional elements to

make the work more than just a life story.

Autobiography is a popular genre. Writers of memoirs and life stories never lack an

[35] audience. People are interested in the actual lives of others and want to know about

others’ pasts and feelings and desires. Autobiography is a way to organize the story of a

life and reflect on the past in order to better understand the present.

hubpages.com

The genre of autofiction shares some of the features of autobiographies.

One of the important characteristics of autofiction can be summarized as:

Vídeos associados (6) Ver comentários

Questão 18 109770
Médio 00:00

UERJ 2015/2
  • Inglês
  • Sugira
  • Reading/Writing
  • Opinion article
  • Exibir tags

The Genre of Autobiography and Autofiction

 

[1] Derived from three Greek words meaning “self”, “life” and “write”, autobiography is a

style of writing that has been around nearly as long as history has been recorded. Yet,

autobiography was not classified as a genre within itself until the late eighteenth century.

In his book, Inside out, E. Stuart Bates offers a functional definition of autobiography as “a

[5] narrative of the past of a person by the person concerned”. That definition, however, is too

broad for some literary critics. Many, such as Philippe Lejeune, wish to define the genre more

narrowly: “(a) retrospective prose narrative produced by a real person concerning his own

existence, focusing on his individual life, in particular on the development of his personality”.

Despite disagreements concerning how inclusive the category of autobiography should

[10] be, there are characteristics that are common to the majority of autobiographical works.

These features are the grammatical perspective of the work, the identity of the self, selfreflection

and introspection.

Most autobiographies are written from the first person singular perspective. The author, the

narrator and the protagonist must share a common identity for the work to be considered

[15] an autobiography. This common identity could be similar, but is not identical. The self that

the author constructs becomes a character within the story that may not be a completely

factual representation of the author’s actual past self.

In their book The voice within, Roger Porter and H. R. Wolf state that “truth is a highly

subjective matter, and no autobiographer can represent exactly what happened back then,

[20] any more than a historian can definitively describe the real truth of the past”.

Because the author cannot describe events objectively, even the most accurate

autobiographies have fictional elements. The blurring of fiction and truth characteristic

of autobiography has even led to the creation of a subdivision within the genre of

autobiography that deals with fictionalized self-accounts. For this style of writing that

[25] blends characteristics of both fiction and autobiography, Serge Doubrovsky coined the

literary term “autofiction”.

The difference between traditional autobiography and the genre of autofiction is that

autobiographers are attempting to depict their real life, while writers of autofiction are

only basing their work upon real experiences. Writers of autofiction are not expected to be

[30] as historically accurate as possible as autobiographers are. According to Alex Hughes,

authors of autofiction are saying “this is me and this is not me”. This sums up autofiction.

Autofiction draws from the life of the writer with the addition of fictional elements to

make the work more than just a life story.

Autobiography is a popular genre. Writers of memoirs and life stories never lack an

[35] audience. People are interested in the actual lives of others and want to know about

others’ pasts and feelings and desires. Autobiography is a way to organize the story of a

life and reflect on the past in order to better understand the present.

hubpages.com

Before the difference between autofiction and autobiography is presented, an important concept for the understanding of such distinction is introduced in the text.

This concept is the one of:

Vídeos associados (6) Ver comentários

Questão 17 109768
Médio 00:00

UERJ 2015/2
  • Inglês
  • Sugira
  • Reading/Writing
  • Editorial article
  • Exibir tags
Resolução comentada

The Genre of Autobiography and Autofiction

 

[1] Derived from three Greek words meaning “self”, “life” and “write”, autobiography is a

style of writing that has been around nearly as long as history has been recorded. Yet,

autobiography was not classified as a genre within itself until the late eighteenth century.

In his book, Inside out, E. Stuart Bates offers a functional definition of autobiography as “a

[5] narrative of the past of a person by the person concerned”. That definition, however, is too

broad for some literary critics. Many, such as Philippe Lejeune, wish to define the genre more

narrowly: “(a) retrospective prose narrative produced by a real person concerning his own

existence, focusing on his individual life, in particular on the development of his personality”.

Despite disagreements concerning how inclusive the category of autobiography should

[10] be, there are characteristics that are common to the majority of autobiographical works.

These features are the grammatical perspective of the work, the identity of the self, selfreflection

and introspection.

Most autobiographies are written from the first person singular perspective. The author, the

narrator and the protagonist must share a common identity for the work to be considered

[15] an autobiography. This common identity could be similar, but is not identical. The self that

the author constructs becomes a character within the story that may not be a completely

factual representation of the author’s actual past self.

In their book The voice within, Roger Porter and H. R. Wolf state that “truth is a highly

subjective matter, and no autobiographer can represent exactly what happened back then,

[20] any more than a historian can definitively describe the real truth of the past”.

Because the author cannot describe events objectively, even the most accurate

autobiographies have fictional elements. The blurring of fiction and truth characteristic

of autobiography has even led to the creation of a subdivision within the genre of

autobiography that deals with fictionalized self-accounts. For this style of writing that

[25] blends characteristics of both fiction and autobiography, Serge Doubrovsky coined the

literary term “autofiction”.

The difference between traditional autobiography and the genre of autofiction is that

autobiographers are attempting to depict their real life, while writers of autofiction are

only basing their work upon real experiences. Writers of autofiction are not expected to be

[30] as historically accurate as possible as autobiographers are. According to Alex Hughes,

authors of autofiction are saying “this is me and this is not me”. This sums up autofiction.

Autofiction draws from the life of the writer with the addition of fictional elements to

make the work more than just a life story.

Autobiography is a popular genre. Writers of memoirs and life stories never lack an

[35] audience. People are interested in the actual lives of others and want to know about

others’ pasts and feelings and desires. Autobiography is a way to organize the story of a

life and reflect on the past in order to better understand the present.

hubpages.com

In the second paragraph, the author of the text cites E. Stuart Bates, who defines the term autobiography. Another writer, Philippe Lejeune, criticizes this definition and proposes a new one.

The characteristic present in Lejeune’s definition that justifies his criticism is:

Vídeos associados (6) Ver comentários

Questão 20 107731
Médio 00:00

ACAFE Medicina 2015/1
  • Inglês
  • Sugira
  • Grammar Vocabulary
  • People and Relationships Social issues Verbs
  • Phrasal verbs
  • Exibir tags
Resolução comentada

Brazil cotton deal perpetuates an unhealthy status quo of subsidies

Published by The Washington Post (The text below has been slightly modified to better suit the exam)

 

1. When is a victory for the United States not a victory

for the American taxpayer? When it’s an international

agreement like the one the Obama administration has

just reached to settle a long-running dispute with

Brazil over cotton subsidies. The roots of that dispute

lie in this country’s history of showering federal funds

on crop producers, including cotton growers. That

particular business received $32.9 billion from

Washington between 1995 and 2012, according to

the Environmental Working Group, largely through

programs that had the effect of rewarding farmers for

increasing production. The extra supply dampened

prices on the world market, so, in 2002, Brazil

complained to the World Trade Organization, which

ruled that US cotton subsidies were indeed

“trade-distorting” and authorized Brazil to retaliate

against US exports. The United States avoided

sanctions — not by reforming its programs but by

agreeing in 2010 to pay Brazil’s cotton farmers

$147.3 million per year.

2. In short, the US government bought off Brazil’s

cotton farmers so that it could keep on buying off its

own. Under the new settlement, announced

Wednesday, Brazil agreed to drop its case at the

WTO and to forgo any new ones during the five-year

term of the farm bill Congress enacted last year. In

return, the United States agreed to trim the modest

US cotton export credit subsidy program and, most

important, to pay Brazil one last dollop of taxpayer

cash, in the amount of $300 million.

3. This is good news to the extent that it fortifies

US-Brazil relations on the eve of a new presidential

term in that country and that it spares US exporters

from the threat of Brazilian retaliation, which could

have reached a total of $829 million per year. Yet, in

essence, the new deal perpetuates the unhealthy

status quo whereby the United States pays Brazil

____ the right ____ continue propping _____ a

domestic cotton industry that can ____ should learn

to compete ____ its own.

What does buy off mean as used in the text?

Vídeos associados (35) Ver comentários

Questão 19 107730
Médio 00:00

ACAFE Medicina 2015/1
  • Inglês
  • Sugira
  • Grammar
  • Adverbs Linking words Prepositions
  • Addition Frequency adverbs Movement
  • Exibir tags
Resolução comentada

Brazil cotton deal perpetuates an unhealthy status quo of subsidies

Published by The Washington Post (The text below has been slightly modified to better suit the exam)

 

1. When is a victory for the United States not a victory

for the American taxpayer? When it’s an international

agreement like the one the Obama administration has

just reached to settle a long-running dispute with

Brazil over cotton subsidies. The roots of that dispute

lie in this country’s history of showering federal funds

on crop producers, including cotton growers. That

particular business received $32.9 billion from

Washington between 1995 and 2012, according to

the Environmental Working Group, largely through

programs that had the effect of rewarding farmers for

increasing production. The extra supply dampened

prices on the world market, so, in 2002, Brazil

complained to the World Trade Organization, which

ruled that US cotton subsidies were indeed

“trade-distorting” and authorized Brazil to retaliate

against US exports. The United States avoided

sanctions — not by reforming its programs but by

agreeing in 2010 to pay Brazil’s cotton farmers

$147.3 million per year.

2. In short, the US government bought off Brazil’s

cotton farmers so that it could keep on buying off its

own. Under the new settlement, announced

Wednesday, Brazil agreed to drop its case at the

WTO and to forgo any new ones during the five-year

term of the farm bill Congress enacted last year. In

return, the United States agreed to trim the modest

US cotton export credit subsidy program and, most

important, to pay Brazil one last dollop of taxpayer

cash, in the amount of $300 million.

3. This is good news to the extent that it fortifies

US-Brazil relations on the eve of a new presidential

term in that country and that it spares US exporters

from the threat of Brazilian retaliation, which could

have reached a total of $829 million per year. Yet, in

essence, the new deal perpetuates the unhealthy

status quo whereby the United States pays Brazil

____ the right ____ continue propping _____ a

domestic cotton industry that can ____ should learn

to compete ____ its own.

Which is the correct sequence of the five words missing in the third paragraph?

Vídeos associados (35) Ver comentários

Questão 18 107729
Médio 00:00

ACAFE Medicina 2015/1
  • Inglês
  • Sugira
  • Reading/Writing
  • News
  • Exibir tags
Resolução comentada

Brazil cotton deal perpetuates an unhealthy status quo of subsidies

Published by The Washington Post (The text below has been slightly modified to better suit the exam)

 

1. When is a victory for the United States not a victory

for the American taxpayer? When it’s an international

agreement like the one the Obama administration has

just reached to settle a long-running dispute with

Brazil over cotton subsidies. The roots of that dispute

lie in this country’s history of showering federal funds

on crop producers, including cotton growers. That

particular business received $32.9 billion from

Washington between 1995 and 2012, according to

the Environmental Working Group, largely through

programs that had the effect of rewarding farmers for

increasing production. The extra supply dampened

prices on the world market, so, in 2002, Brazil

complained to the World Trade Organization, which

ruled that US cotton subsidies were indeed

“trade-distorting” and authorized Brazil to retaliate

against US exports. The United States avoided

sanctions — not by reforming its programs but by

agreeing in 2010 to pay Brazil’s cotton farmers

$147.3 million per year.

2. In short, the US government bought off Brazil’s

cotton farmers so that it could keep on buying off its

own. Under the new settlement, announced

Wednesday, Brazil agreed to drop its case at the

WTO and to forgo any new ones during the five-year

term of the farm bill Congress enacted last year. In

return, the United States agreed to trim the modest

US cotton export credit subsidy program and, most

important, to pay Brazil one last dollop of taxpayer

cash, in the amount of $300 million.

3. This is good news to the extent that it fortifies

US-Brazil relations on the eve of a new presidential

term in that country and that it spares US exporters

from the threat of Brazilian retaliation, which could

have reached a total of $829 million per year. Yet, in

essence, the new deal perpetuates the unhealthy

status quo whereby the United States pays Brazil

____ the right ____ continue propping _____ a

domestic cotton industry that can ____ should learn

to compete ____ its own.

Who did not benefit from the settlement reached between the US and Brazil, according to the text?

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